For the past three years, he has produced and announced his works in Yokosuka. During that time, he discovered his own production theory, "support field theory," and presented works based on his major keyword, "temporary construction." The keyword has a number of implications, but it also includes the general meaning of "a structure that is temporary, not permanent." The actual production of past works also forms the body, and after the production is announced at the cultural exhibition, it is dismantled and removed, leaving no work space. However, the works released from this year are not necessarily only such temporary and temporary works. In this exhibition, based on the works produced in Yokosuka in the past, we will try to replace them with other media. We will explore what kind of existence they can be as newly produced ones.