Masaki
TANI
in, (2017)
Cameras, projectors, real-time video, polyvinyl chloride, polyester, fishing line, wire, water
A work created at the Kakegawa Tea Ennale in the space of an old folk house. The world where the 1st floor is the 4th dimension (n + 1 dimension) and the 2nd floor is the 5th dimension (n + 2 dimensions) is "temporarily constructed" using a model and image projection. It suggests that human intervention should be minimized in the production of sculptures and video projections, and that things should begin to flutter their existence. It also includes transcendence that further expands the absolute state by using the effect of organically distorting the phenomenon of regular periodicity such as moire and flicker in the image by projecting it on the polyester cloth. I made an expression to make it. During the session, a ritual was held by Junko Sekine, an actress belonging to the Shizuoka Performing Arts Center (SPAC).
© Manabu Fujita
actor Junko Sekine
Things and the world that people cannot perceive or recognize. Will it just continue to exist as its existence? Does our world exist as such from other worlds? If we consider these infinite and multi-dimensional hierarchies as dimensions, our world will be supported by other dimensions as well as being supported by other dimensions. Everything is tentative.
Things and the world that people cannot perceive or recognize. Will it just continue to exist as its existence? Does our world exist as such from other worlds? If we consider these infinite and multi-dimensional hierarchies as dimensions, our world will be supported by other dimensions as well as being supported by other dimensions. Everything is tentative.